Susan Vecsey, Untitled (Aqua), oil on linen, 40 x 70 inches.






NEW YORK, NEW YORK, JUNE 22, 2020– Berry Campbell Gallery is happy to announce a particular exhibition of current work by Susan Vecsey. The present title, In Between, acknowledges the contrasting occasions by which these work had been created, earlier than and in the course of the pandemic, whereas additionally referring to the high quality line between abstraction and illustration in Vecsey’s work. This exhibition will embody fifteen new items, together with her most up-to-date exploration in to collage. That is Berry Campbell’s fourth exhibition of Susan Vecsey’s work since saying her illustration in 2014. Concurrent together with her exhibition on the gallery, Vecsey is a part of a bunch exhibition on the Nassau County Museum of Artwork, Roslyn Harbor, New York, entitled, blue curated by museum director, Charles A. Riley II, Ph.D. Along with Vecsey, different artists within the present are Helen Frankenthaler, Yves Klein, Paul Klee, and Henri Matisse. This exhibition opens at Berry Campbell’s Chelsea location on July 9, 2020 and runs by means of August 21, 2020.



In an essay written for Susan Vecsey’s Greenville County Museum of Artwork solo exhibition catalogue, Phyllis Tuchman writes: “Vecsey’s abstractions think of each Coloration Subject work in addition to landscapes.They exist someplace within the center, neither one nor the opposite. For starters, as an alternative of working with acrylic pigments and yards of unstretched canvas as a Coloration Subject artist may do, Vecsey executes her evocative photos the old style manner. To linen surfaces, she applies layers of oil pigments. Relying on the climate, it could actually take days for every airplane of shade she has thinned with turpentine to dry. Sometimes, she makes bigger works in a diptych format. As it’s, to get began, she depends on just a few tutorial fundamentals. She makes small charcoal drawings on the spot; and after that, pastels and shade research earlier than she ever picks up any brushes, sponges, rags, or pour buckets. Then, she improvises. She as soon as mentioned that it’s essential be “prepared to simply accept or reject the sudden.”


A painter keen on creating lyrical and poetic themes, Susan Vecsey makes use of iconic imagery derived from nature. Gabrielle Selz wrote: “Impressed by painters like Paul Cézanne, Henri Matisse, Mark Rothko, Milton Avery, and Helen Frankenthaler—all of whom explored the variance of tonality on restricted compositional codecs—Vecsey creates work that’s crammed with concepts about association, lyrical shade, perspective, repetition and floor.” 


Susan Vecsey was born in New Jersey and at present lives and works in each New York Metropolis and East Hampton, New York. She earned her Bachelor of Arts from Barnard Faculty, Columbia College, New York, and her Grasp of Advantageous Arts from the New York Studio College of Drawing, Portray and Sculpture, learning underneath Graham Nickson. In 2012, Vecsey was a visiting artist on the American Academy in Rome. In 2017, Susan Vecsey had a solo museum exhibition on the Greenville County Museum in South Carolina, that includes quite a few large-scale work. That very same yr, the John Jermain Memorial Library, Sag Harbor, New York, introduced one other solo exhibition of Vecsey’s work and works on paper. In reference to Vecsey’s 2014 present at Berry Campbell Gallery, New York, a overview in Artcritical reads: “that is virtuoso portray.”  
Vecsey’s work was featured in Guild Corridor Museum’s 2014 Choices from the Everlasting Assortment curated by Museum Director/Chief Curator, Christina Strassfield, alongside Eric Fischl, April Gornik, Balcomb Greene, Mary Heilmann, and David Salle.


She has collaborated with quite a few architects and designers, together with David Scott Interiors, New York, Mabley Handler Design, Water Mill, New York, and Daniel Kahan, Smith and Moore Architects, Palm Seashore, Florida. In recent times, the distinguished design sellers, Lee Jofa and Brunschwig & Fils, have used a number of of her work in promoting campaigns. Vecsey has been featured in magazines reminiscent of Architectural DigestHamptons Journal, and Veranda


Susan Vecsey’s work are broadly held in private and non-private collections around the globe.  Along with the exhibition on the Nassau County Museum of Artwork, she is at present a part of the Members Exhibition at Guild Corridor Museum, East Hampton.  Not too long ago, Vecsey participated in Drive-by-Artwork (Public Artwork within the Time of Social Distancing) within the Hamptons (catalogue forthcoming), which was featured in The New York Instances. Susan Vecsey is solely represented by Berry Campbell Gallery in New York.   



Christine Berry and Martha Campbell have many parallels of their backgrounds and pursuits. Each studied artwork historical past in faculty, started their careers within the museum world, and later labored collectively at a significant gallery in midtown Manhattan. Most significantly, nevertheless, Berry and Campbell share a curatorial imaginative and prescient.


Each artwork sellers developed a powerful emphasis on analysis and networking with artists and students throughout their artwork world years. They determined to work collectively, opening Berry Campbell Gallery in 2013 within the coronary heart of New York’s Chelsea artwork district, at 530 West 24th Avenue on the bottom flooring. In 2015, the gallery expanded, doubling its measurement with an extra 2,000 sq. toes of exhibition house.

Highlighting a collection of postwar and up to date artists, the gallery fulfills an necessary hole within the artwork world, revealing a depth inside American modernism that’s simply starting to be understood, encompassing the various artists who had been left behind resulting from race, gender, or geography-beyond such legendary figures as Pollock and de Kooning. Since its inception, the gallery has been particularly instrumental in giving girls artists lengthy overdue consideration, an effort that museums have solely simply begun to take up, reminiscent of within the 2016 touring exhibition, Girls of Summary Expressionism, curated by College of Denver professor Gwen F. Chanzit. This present featured work by Perle Advantageous and Judith Godwin, each represented by Berry Campbell, together with that of Helen Frankenthaler, Lee Krasner, and Joan Mitchell. In 2019, Berry Campbell’s exhibition, Yvonne Thomas: Home windows and Variations (Work 1963 – 1965) was reviewed by Roberta Smith for the New York Instances, by which Smith wrote that Thomas, “… stored her hand in, including a recent directness of contact, and the outcomes give her a spot within the still-emerging saga of postwar American abstraction.”


Along with Perle Advantageous and Judith Godwin, artists whose work is represented by the gallery embody Edward Avedisian, Walter Darby Bannard, Stanley Boxer, Dan Christensen, Eric Dever, John Goodyear, Ken Greenleaf, Raymond Hendler, Ida Kohlmeyer, Jill Nathanson, John Opper, Stephen Tempo, Charlotte Park, William Perehudoff, Ann Purcell, Mike Solomon, Syd Solomon, Albert Stadler, Yvonne Thomas, Susan Vecsey, James Walsh, Joyce Weinstein, Frank Wimberley, Larry Zox, and Edward Zutrau. The gallery has helped promote many of those artists’ careers in museum reveals together with that of Bannard on the Institute of Up to date Artwork, Miami (2018-19); Syd Solomon, in a touring museum present which culminates on the John and Mable Ringling Museum in Sarasota and has been prolonged by means of 2021; Stephen Tempo at The McCutchan Artwork Heart/Tempo Galleries on the College of Southern Indiana (2018) and on the Provincetown Artwork Affiliation and Museum (2019); and Vecsey and Mike Solomon on the Greenville County Museum of Artwork, South Carolina (2017 and 2019, respectively); and Eric Dever on the Suffolk Group Faculty, Riverhead, New York (2020). In an April three, 2020 New York Instances overview of Berry Campbell’s exhibition of Ida Kohlmeyer’s Cloistered work, Roberta Smith acknowledged: “These work stunningly sum up a second when Minimalism was giving technique to or being difficult by one thing extra emotionally difficult and implicitly female and feminist. They might dangle in any museum.”


Collaboration is a vital facet of the gallery. With the widened inquiries and understandings which have resulted from their ongoing discussions in regards to the artwork world canon, the sellers really feel a continuous sense of pleasure within the discoveries of artists and analysis nonetheless to be made.


Berry Campbell is positioned within the coronary heart of the Chelsea Arts District at 530 West 24th Avenue, Floor Ground, New York, NY 10011. For additional data, contact us at 212.924.2178, or The gallery is open Monday by means of Friday from 10 am to six pm or by appointment.

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