12 Design Insiders Share Their Miami Art Week Standouts

Nicole Fuller

Others found inspiration for their own projects. New York- and Los Angeles–based designer Nicole Fuller calls out Carpenters Workshop Gallery, which appeared at Design Miami with Nacho Carbonell’s Orange Vortex Tree (“These pieces are so special—I really like to work with gallery pieces in my interiors”); Wendell Castle at R & Company (specifically, a rare dining table: “This is such an exquisite piece…. It’s meant to be used and not feel precious in any way. I design with these types of pieces as they are form and function together along with being a standalone art piece”); and the sofa by designer Harry Nuriev in collaboration with Balenciaga (“Color is becoming a signature of mine and this piece embodies it all. Fashion and design colliding in perfect harmony! Major crush.”)

Julie Hillman

AD100 designer Julie Hillman also drew potential project ideas, noting that the De la Cruz Collection presented “wonderful Jorge Pardo lights going down the stairway that I would love to commission,” as well as three pieces in the Sorry We’re Closed Gallery booth at the NADA show, in particular “the breathtaking tapestries by Yann Gerstberger, the totems by Stefan Rinck, and the most beautiful cast bronze stools/side tables by Eric Croes.”

Robert Wilson’s A Boy From Texas, presented by Cristina Grajales Gallery in cooperation with Paula Cooper Gallery. Produced by Corning Museum of Glass.

Courtesy of Cristina Grajales Gallery

Bill Sofield

AD100 designer Bill Sofield found balance between the grand and small: “Amidst the gigantic and sensational, my two discoveries were intimate, if not miniature. Cristina Grajales Gallery’s immaculate installation of Robert Wilson’s most recent work, A Boy From Texas, in light, glass and sound, and John Keith Russell Antiques’ perfectly proportioned Shaker stove.”

Billy Cotton

Fellow AD100 member Billy Cotton was in agreement: “I loved the dresser’s table” at John Keith Russell Antiques, as well as a dining table at Magen H Gallery, he says.

Malene Barnett

Brooklyn-based artist and designer Malene Barnett found meaning in a number of compelling contemporary works uncovered at the fairs. “Representation matters,” she says. “It was refreshing to see artists Donte Hayes, Linda Lopez, Roberto Lugo, Zizipho Poswa, and Andile Dyalvane, all artists who are working in clay, exploring their culture and defining their personal narrative.” In particular, she emphasizes Hayes’s series of hand-built textured vessels in black clay, featured in “Diasporic Voices” at Mindy Solomon Gallery. “The repetitive texture and form on each piece draws you in close.”

Roberto Lugo’s works at Wexler Gallery.

Malene Barnett

Also of interest was Lugo’s “Street Shrine” at Wexler Gallery, which, as Barnett explains, “shines a light on the victims of gun violence with a shrine to hip-hop artists Tupac Shakur and Biggie Smalls. The larger-than-life patterned vessels feature portraits of the hip-hop legends surrounded by portraits of civil rights leaders Ida B. Wells, Martin Luther King, and Angela Davis. And the Magodi series by Zizpo Poswa, at the Southern Guild Gallery, translates African traditional hairstyles through oversized vessels. The bright and bold colors, textures, and form tell a modern story on century-old processes.”

Sasha Bikoff

Designer Sasha Bikoff references her own appearance at the fairs: “Obviously, the most important thing is ‘South Beach Stories,’” she says, as the exhibit is “the first time Versace has done anything in Miami since Gianni’s death. It’s a combination of Doug Ordway’s photographs of the late ’80s and early ’90s mixed with actual couture pieces that Christie Turlington and Kate Moss wore during this time period, and my design pieces that were inspired by the various haute couture that I selected,” shares Bikoff, whose furniture launched during Salone del Mobile is also on view in Miami. Also on her list: “Another thing not to miss is the Rubell Museum; I loved the Keith Haring works and the George Kondo paintings.”

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